2017

  • Audioschnitt in digitalen Noten
    S. Waloschek
    in INFORMATIK 2017, 47. Jahrestagung der Gesellschaft für Informatik, Chemnitz, Germany, 2017.
    [BibTeX]

    @InProceedings{Waloschek:2017:IPMP2,
    author = {Waloschek, S.},
    title = {{Audioschnitt in digitalen Noten}},
    booktitle = {{INFORMATIK 2017, 47. Jahrestagung der Gesellschaft für Informatik}},
    year = {2017},
    editor = {Eibl, M. and Gaedke, M.},
    series = {{LNI}},
    address = {Chemnitz, Germany},
    month = {sep},
    organization = {Chemnitz University of Technology, Gesellschaft für Informatik},
    publisher = {{GI}},
    }
  • The Geometric Oscillator: Sound Synthesis with Cyclic Shapes
    J. Peschke and A. Berndt
    in Audio Mostly 2017: 12th Conf. on Interaction with Sound – Augmented and Participatory Sound/Music Experiences, London, UK, 2017.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2017:Cyclone,
    author = {Peschke, J. and Berndt, A.},
    title = {{The Geometric Oscillator: Sound Synthesis with Cyclic Shapes}},
    booktitle = {{Audio Mostly 2017: 12th Conf. on Interaction with Sound - Augmented and Participatory Sound/Music Experiences}},
    organization = {Queen Mary University of London},
    publisher = {ACM},
    year = {2017},
    address = {London, UK},
    month = {Aug.}
    }
  • Tools for Annotating Musical Measures in Digital Music Editions
    Y. Mexin, A. Hadjakos, A. Berndt, S. Waloschek, A. Wawilow, and G. Szwillus
    in 14th Sound and Music Computing Conf. (SMC-17), Espoo, Finland, 2017.
    [BibTeX]

    @INPROCEEDINGS{Mexin:2017:Vertaktoid,
    author = {Mexin, Y. and Hadjakos, A. and Berndt, A. and Waloschek, S. and Wawilow, A. and Szwillus, G.},
    title = {{Tools for Annotating Musical Measures in Digital Music Editions}},
    booktitle = {{14th Sound and Music Computing Conf. (SMC-17)}},
    year = {2017},
    organization = {Aalto University},
    address = {Espoo, Finland},
    month = {July}
    }
  • AmbiDice: An Ambient Music Interface for Tabletop Role-Playing Games
    A. Berndt, S. Waloschek, A. Hadjakos, and A. Leemhuis
    in Proc. of New Interfaces for Musical Expression (NIME) 2017, Copenhagen, Denmark, 2017.
    [BibTeX]

    @InProceedings{Berndt:2017:AmbiDice,
    author = {Berndt, A. and Waloschek, S. and Hadjakos, A. and Leemhuis, A.},
    title = {{AmbiDice: An Ambient Music Interface for Tabletop Role-Playing Games}},
    booktitle = {{Proc. of New Interfaces for Musical Expression (NIME) 2017}},
    year = {2017},
    publisher = {Aalborg University Copenhagen},
    address = {Copenhagen, Denmark},
    month = {may}
    }
  • Interaktive Partituren in der Musikproduktion
    S. Waloschek
    Master’s thesis, Ostwestfalen-Lippe University of Applied Sciences, Center of Music and Film Informatics, Detmold, Germany, 2017.
    [BibTeX]

    @MastersThesis{Waloschek:2017:IPMP,
    author = {Waloschek, S.},
    title = {{Interaktive Partituren in der Musikproduktion}},
    school = {Ostwestfalen-Lippe University of Applied Sciences, Center of Music and Film Informatics},
    year = {2017},
    address = {Detmold, Germany},
    month = {feb},
    }
  • Generative Musik als Werkzeug in der Musikwissenschaft
    A. Berndt
    in Vom Umgang mit Telemanns Werken einst und jetzt. Telemannrezeption in drei Jahrhunderten. Bericht über die Wissenschaftliche Konferenz, Magdeburg, 15. und 16. März 2012, anlässlich der 21. Magdeburger Telemann-Festtage, Magdeburg, Germany, 2017, pp. 305-326.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2017:GM,
    author = {Berndt, A.},
    title = {{Generative Musik als Werkzeug in der Musikwissenschaft}},
    booktitle = {{Vom Umgang mit Telemanns Werken einst und jetzt. Telemannrezeption in drei Jahrhunderten. Bericht \"uber die Wissenschaftliche Konferenz, Magdeburg, 15. und 16. M\"arz 2012, anl\"asslich der 21. Magdeburger Telemann-Festtage}},
    publisher = {Olms Verlag},
    year = {2017},
    pages = {305--326},
    organization = {Zentrum f\"ur Telemann-Pflege und -Forschung Magdeburg},
    editor = {Lange, C. and Reipsch, B.},
    address = {Magdeburg, Germany}
    }

2016

  • Accelerating the editing phase in music productions using interactive scores
    S. Waloschek, A. Berndt, B. W. Bohl, and A. Hadjakos
    in Proc. of the 2nd AES Workshop on Intelligent Music Production (WIMP), London, UK, 2016.
    [BibTeX]

    @InProceedings{Waloschek:2016:Accelerating-Editing-Using-Scores,
    author = {Waloschek, S. and Berndt, A. and Bohl, B. W. and Hadjakos, A.},
    title = {{Accelerating the editing phase in music productions using interactive scores}},
    booktitle = {{Proc. of the 2nd AES Workshop on Intelligent Music Production (WIMP)}},
    year = {2016},
    address = {London, UK},
    month = {sep}
    }
  • Hand Gestures in Music Production
    A. Berndt, S. Waloschek, and A. Hadjakos
    in Proc. of the 42nd Int. Computer Music Conf. (ICMC), Utrecht, The Netherlands, 2016, pp. 448-453.
    [BibTeX]

    @InProceedings{Berndt:2016:Hand-Gestures,
    author = {Berndt, A. and Waloschek, S. and Hadjakos, A.},
    title = {{Hand Gestures in Music Production}},
    booktitle = {{Proc. of the 42nd Int. Computer Music Conf. (ICMC)}},
    year = {2016},
    editor = {Timmermans, H.},
    pages = {448--453},
    address = {Utrecht, The Netherlands},
    month = {sep},
    publisher = {International Computer Music Association, HKU University of the Arts Utrecht, Gaudeamus Muziekweek}
    }
  • Interactive Scores in Classical Music Production
    S. Waloschek, A. Berndt, B. W. Bohl, and A. Hadjakos
    in Proc. of the 17th Int. Society for Music Information Retrieval Conf. (ISMIR), New York, NY, USA, 2016, pp. 668-673.
    [BibTeX]

    @InProceedings{Waloschek:2016:Interactive-Scores,
    author = {Waloschek, S. and Berndt, A. and Bohl, B. W. and Hadjakos, A.},
    title = {{Interactive Scores in Classical Music Production}},
    booktitle = {{Proc. of the 17th Int. Society for Music Information Retrieval Conf. (ISMIR)}},
    year = {2016},
    editor = {Mandel, M.},
    pages = {668--673},
    address = {New York, NY, USA},
    month = {aug},
    organization = {New York University},
    publisher = {Int. Society for Music Information Retrieval}
    }
  • XML Music Performance Description
    A. Berndt and B. W. Bohl
    in Music Encoding Conference 2016, Montréal, Canada, 2016.
    [BibTeX]

    @InProceedings{Berndt:2016:Xml-Music-Performance,
    author = {Berndt, A. and Bohl, B. W.},
    title = {{XML Music Performance Description}},
    booktitle = {{Music Encoding Conference 2016}},
    year = {2016},
    address = {Montréal, Canada},
    month = {may},
    organization = {McGill University, Schulich School of Music},
    publisher = {Music Encoding Initiative}
    }
  • Extraction and evaluation of temporal musical features from MIDI recordings of organ music
    M. Kob, S. V. Amengual, B. Sahin, A. Hadjakos, and M. Saulich
    in Fortschritte der Akusik – DAGA 2016, Aachen, Germany, 2016, pp. 1478-1481.
    [BibTeX]

    @InProceedings{Kob:2016:Temporal-Features-From-Organ,
    author = {Kob, M. and Amengual, S. V. and Sahin, B. and Hadjakos, A. and Saulich, M.},
    title = {{Extraction and evaluation of temporal musical features from MIDI recordings of organ music}},
    booktitle = {Fortschritte der Akusik – DAGA 2016},
    year = {2016},
    pages = {1478--1481},
    address = {Aachen, Germany},
    month = {mar}
    }
  • Formate als Sackgassen: Handlungsempfehlungen
    B. W. Bohl, A. Berndt, and B. Senft
    in DHd 2016: Modellierung – Vernetzung – Visualisierung: Die Digital Humanities als fachübergreifendes Forschungsparadigma, Leipzig, Germany, 2016.
    [BibTeX]

    @InProceedings{Bohl:2016:Formate-Handlungsempfehlungen,
    author = {Bohl, B. W. and Berndt, A. and Senft, B.},
    title = {{Formate als Sackgassen: Handlungsempfehlungen}},
    booktitle = {{DHd 2016: Modellierung – Vernetzung – Visualisierung: Die Digital Humanities als fachübergreifendes Forschungsparadigma}},
    year = {2016},
    address = {Leipzig, Germany},
    month = {mar},
    organization = {Leipzig University},
    publisher = {nisaba verlag}
    }
  • Online-Tool for interactive sound analysis of orchestra instruments
    M. Kob, S. V. Amengual, B. Sahin, A. Hadjakos, and M. Saulich
    in Fortschritte der Akusik – DAGA 2016, Aachen, Germany, 2016, pp. 540-543.
    [BibTeX]

    @InProceedings{Kob:2016:Online-Tool-Orchestra-Analysis,
    author = {Kob, M. and Amengual, S. V. and Sahin, B. and Hadjakos, A. and Saulich, M.},
    title = {{Online-Tool for interactive sound analysis of orchestra instruments}},
    booktitle = {Fortschritte der Akusik – DAGA 2016},
    year = {2016},
    pages = {540--543},
    address = {Aachen, Germany},
    month = {mar}
    }
  • Dem Igel Sitte lehren… Musikedition: von der digitalen Verfügbarkeit zur aktiven Nutzung
    B. W. Bohl, A. Berndt, S. Waloschek, and A. Hadjakos,
    in „Ei, dem alten Herrn zoll’ ich Achtung gern’“ – Festschrift für Joachim Veit zum 60. Geburtstag, K. Richts and P. Stadler, Eds., Munich, Germany: Allitera Verlag, 2016, pp. 141-163.
    [BibTeX]

    @InCollection{Bohl:2016:Festschrift-Veit,
    author = {Bohl, B. W. and Berndt, A. and Waloschek, S. and Hadjakos, A.},
    title = {{Dem Igel Sitte lehren... Musikedition: von der digitalen Verfügbarkeit zur aktiven Nutzung}},
    booktitle = {„Ei, dem alten Herrn zoll' ich Achtung gern'“ – Festschrift für Joachim Veit zum 60. Geburtstag},
    publisher = {Allitera Verlag},
    year = {2016},
    editor = {Richts, K. and Stadler, P.},
    chapter = {12},
    pages = {141--163},
    address = {Munich, Germany},
    month = {jan}
    }

2015

  • Vocalmetrics. Ein Software-Tool für das Visualisieren, das Rating und den Vergleich von Musik-Datensätzen
    A. Berndt, F. Schönfeld, R. Groh, T. Hähnel, T. Marx, and M. Pfleiderer,
    in Musikpsychologie – Anwendungsorientierte Forschung, W. Auhagen, C. Bullerjahn, and R. von Georgi, Eds., Göttingen, Germany: Hogrefe Verlag, 2015, pp. 254-262.
    [BibTeX]

    @InCollection{Berndt:2015:VOC,
    author = {Berndt, A. and Schönfeld, F. and Groh, R. and Hähnel, T. and Marx, T. and Pfleiderer, M.},
    title = {{Vocalmetrics. Ein Software-Tool für das Visualisieren, das Rating und den Vergleich von Musik-Datensätzen}},
    booktitle = {{Musikpsychologie – Anwendungsorientierte Forschung}},
    publisher = {Hogrefe Verlag},
    year = {2015},
    editor = {Auhagen, W. and Bullerjahn, C. and von Georgi, R.},
    number = {25},
    series = {{Jahrbuch der Deutschen Gesellschaft für Musikpsychologie}},
    pages = {254--262},
    address = {Göttingen, Germany},
    month = {dec}
    }
  • TouchNoise: A New Multitouch Interface for Creative Work with Noise
    A. Berndt, N. Al-Kassab, and R. Dachselt
    in Audio Mostly 2015: 10th Conf. on Interaction with Sound – Sound, Semantics and Social Interaction, Thessaloniki, Greece, 2015.
    [BibTeX]

    @InProceedings{Berndt:2015:TouchNoise,
    author = {Berndt, A. and Al-Kassab, N. and Dachselt, R.},
    title = {{TouchNoise: A New Multitouch Interface for Creative Work with Noise}},
    booktitle = {{Audio Mostly 2015: 10th Conf. on Interaction with Sound – Sound, Semantics and Social Interaction}},
    year = {2015},
    address = {Thessaloniki, Greece},
    month = {oct},
    organization = {Aristotle University of Thessaloniki},
    publisher = {ACM}
    }
  • Gedanken zur Nutzung von Handgesten in der Musikproduktion
    A. Berndt, S. Waloschek, and A. Hadjakos
    in Mensch und Computer: Workshop für Innovative Computerbasierte Musikinterfaces, Stuttgart, Germany, 2015, pp. 325-330.
    [BibTeX]

    @InProceedings{Berndt:2015:Handgesten,
    author = {Berndt, A. and Waloschek, S. and Hadjakos, A.},
    title = {{Gedanken zur Nutzung von Handgesten in der Musikproduktion}},
    booktitle = {{Mensch und Computer: Workshop für Innovative Computerbasierte Musikinterfaces}},
    year = {2015},
    editor = {Schmidt, A. and Burmester, M. and Weisbecker, A.},
    pages = {325--330},
    address = {Stuttgart, Germany},
    month = {sep},
    organization = {University of Stuttgart, Gesellschaft für Informatik},
    publisher = {Oldenbourg Wissenschaftsverlag}
    }
  • Works in Audio and Music Technology
    A. Berndt, Ed., Dresden, Germany: TUDpress, 2015.
    [BibTeX]

    @Book{Berndt:2015:Works-Audio-Music,
    title = {{Works in Audio and Music Technology}},
    publisher = {TUDpress},
    year = {2015},
    editor = {Berndt, A.},
    address = {Dresden, Germany},
    month = {sep},
    url = {http://www.tudpress.de/TUDpressXTC2013/product_info.php?products_id=932}
    }
  • Synchronizing Spatially Distributed Musical Ensembles
    A. Hadjakos, A. Berndt, and S. Waloschek
    in 12th Sound and Music Computing Conf. (SMC), Maynooth, Ireland, 2015.
    [BibTeX]

    @InProceedings{Hadjakos:2015:Sync-Ensembles,
    author = {Hadjakos, A. and Berndt, A. and Waloschek, S.},
    title = {{Synchronizing Spatially Distributed Musical Ensembles}},
    booktitle = {{12th Sound and Music Computing Conf. (SMC)}},
    year = {2015},
    address = {Maynooth, Ireland},
    month = {jul},
    organization = {Maynooth University}
    }
  • Sensors on Stage: Conquering the Requirements of Artistic Experiments and Live Performances
    S. Waloschek and A. Hadjakos
    in Proc. of the Int. Conf. on New Interfaces for Musical Expression (NIME), Baton Rouge, LA, USA, 2015, pp. 351-354.
    [BibTeX]

    @InProceedings{Waloschek:2015:Sensors-On-Stage,
    author = {Waloschek, S. and Hadjakos, A.},
    title = {{Sensors on Stage: Conquering the Requirements of Artistic Experiments and Live Performances}},
    booktitle = {Proc. of the Int. Conf. on New Interfaces for Musical Expression (NIME)},
    year = {2015},
    pages = {351--354},
    address = {Baton Rouge, LA, USA},
    month = {may}
    }
  • Learning Visual Programming by Creating a Walkable Interactive Installation
    A. Hadjakos, H. Schulze, A. Düchting, C. Metzger, M. Ottensmann, F. Riechmann, A. Schneider, and M. Trappmann
    in Audio Mostly 2015: 10th Conf. on Interaction with Sound – Sound, Semantics and Social Interaction, Thessaloniki, Greece, 2015, p. 19:1–19:8.
    [BibTeX]

    @InProceedings{Hadjakos:2015:Learning-Visual-Programming,
    author = {Hadjakos, Aristotelis and Schulze, Heizo and Düchting, André and Metzger, Christian and Ottensmann, Marc and Riechmann, Friederike and Schneider, Anna-Maria and Trappmann, Michael},
    title = {{Learning Visual Programming by Creating a Walkable Interactive Installation}},
    booktitle = {{Audio Mostly 2015: 10th Conf. on Interaction with Sound – Sound, Semantics and Social Interaction}},
    year = {2015},
    pages = {19:1--19:8},
    address = {Thessaloniki, Greece},
    publisher = {ACM}
    }

2014

  • ViP: Controlling the Sound of a Piano with Wrist-Worn Inertial Sensors
    A. Hadjakos and S. Waloschek
    in Keyboard Salon Workshop at the Int. Conf. on New Interfaces for Musical Expression (NIME), London, UK, 2014.
    [BibTeX]

    @InProceedings{Hadjakos:2014:Vibrato-Piano,
    author = {Hadjakos, A. and Waloschek, S.},
    title = {{ViP: Controlling the Sound of a Piano with Wrist-Worn Inertial Sensors}},
    booktitle = {Keyboard Salon Workshop at the Int. Conf. on New Interfaces for Musical Expression (NIME)},
    year = {2014},
    address = {London, UK},
    month = {jun}
    }
  • SPINE: A TUI Toolkit and Physical Computing Hybrid
    A. Hadjakos and S. Waloschek
    in Proc. of the Int. Conf. on New Interfaces for Musical Expression (NIME), London, UK, 2014, pp. 625-628.
    [BibTeX]

    @InProceedings{Hadjakos:2014:SPINE,
    author = {Hadjakos, A. and Waloschek, S.},
    title = {{SPINE: A TUI Toolkit and Physical Computing Hybrid}},
    booktitle = {Proc. of the Int. Conf. on New Interfaces for Musical Expression (NIME)},
    year = {2014},
    pages = {625--628},
    address = {London, UK},
    month = {jun}
    }