Axel Berndt studied computer science and music at the Otto-von-Guericke University in Magdeburg. From 2006 on, he did research and teaching in music informatics at the Department of Simulation and Graphics and got his PhD in 2011. From 2012 to 2015, he worked at Technische Universität Dresden, Faculty of Computer Science.

Since April 2015 Axel Berndt is a member of the CeMFI and the competence center “Music – Edition – Media”. His research interests are musical human-computer interaction, interactive media scoring, interactive and adaptive music, new musical interfaces, expressive performance, generative music, auditory displays, and auditory user interfaces.

Books

A. Berndt (editor), Works in Audio and Music Technology
Dresden, Germany, September 2015, TUDpress.

Auditory Pointers, R. H. Lorenz and H. Schuster, chap. 1, pp. 1-30
TouchNoise: A Multitouch Noise Instrument, N. Al-Kassab and A. Berndt, chap. 2, pp. 31-57
Interactive Ambient Music Generation, M. Müller, chap. 3, pp. 59-95
Formalizing Expressive Music Performance Phenomena, A. Berndt, chap. 4, pp. 97-128
Studying Music Performance and Perception via Interaction, A. Berndt and T. Hähnel, chap. 5, pp. 129-153
Vocalmetrics: Music Visualization and Rating Techniques, F. Schönfeld, chap. 6, pp. 155-170

A. Berndt, Musik für interaktive Medien: Arrangement- und Interpretationstechniken
PhD thesis, Otto-von-Guericke University, Faculty of Computer Science
Magdeburg, Germany, July 2011, Verlag Dr. Hut. PDF

2017

  • The Geometric Oscillator: Sound Synthesis with Cyclic Shapes
    J. Peschke and A. Berndt
    in Audio Mostly 2017: 12th Conf. on Interaction with Sound – Augmented and Participatory Sound/Music Experiences, London, UK, 2017.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2017:Cyclone,
    author = {Peschke, J. and Berndt, A.},
    title = {{The Geometric Oscillator: Sound Synthesis with Cyclic Shapes}},
    booktitle = {{Audio Mostly 2017: 12th Conf. on Interaction with Sound - Augmented and Participatory Sound/Music Experiences}},
    organization = {Queen Mary University of London},
    publisher = {ACM},
    year = {2017},
    address = {London, UK},
    month = {Aug.}
    }
  • Tools for Annotating Musical Measures in Digital Music Editions
    Y. Mexin, A. Hadjakos, A. Berndt, S. Waloschek, A. Wawilow, and G. Szwillus
    in 14th Sound and Music Computing Conf. (SMC-17), Espoo, Finland, 2017.
    [BibTeX]

    @INPROCEEDINGS{Mexin:2017:Vertaktoid,
    author = {Mexin, Y. and Hadjakos, A. and Berndt, A. and Waloschek, S. and Wawilow, A. and Szwillus, G.},
    title = {{Tools for Annotating Musical Measures in Digital Music Editions}},
    booktitle = {{14th Sound and Music Computing Conf. (SMC-17)}},
    year = {2017},
    organization = {Aalto University},
    address = {Espoo, Finland},
    month = {July}
    }
  • AmbiDice: An Ambient Music Interface for Tabletop Role-Playing Games
    A. Berndt, S. Waloschek, A. Hadjakos, and A. Leemhuis
    in Proc. of New Interfaces for Musical Expression (NIME) 2017, Copenhagen, Denmark, 2017.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2017:AmbiDice,
    author = {Berndt, A. and Waloschek, S. and Hadjakos, A. and Leemhuis, A.},
    title = {{AmbiDice: An Ambient Music Interface for Tabletop Role-Playing Games}},
    booktitle = {{Proc. of New Interfaces for Musical Expression (NIME) 2017}},
    year = {2017},
    publisher = {Aalborg University Copenhagen},
    address = {Copenhagen, Denmark},
    month = {May}
    }
  • Generative Musik als Werkzeug in der Musikwissenschaft
    A. Berndt
    in Vom Umgang mit Telemanns Werken einst und jetzt. Telemannrezeption in drei Jahrhunderten. Bericht über die Wissenschaftliche Konferenz, Magdeburg, 15. und 16. März 2012, anlässlich der 21. Magdeburger Telemann-Festtage, Magdeburg, Germany, 2017, pp. 305-326.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2017:GM,
    author = {Berndt, A.},
    title = {{Generative Musik als Werkzeug in der Musikwissenschaft}},
    booktitle = {{Vom Umgang mit Telemanns Werken einst und jetzt. Telemannrezeption in drei Jahrhunderten. Bericht \"uber die Wissenschaftliche Konferenz, Magdeburg, 15. und 16. M\"arz 2012, anl\"asslich der 21. Magdeburger Telemann-Festtage}},
    publisher = {Olms Verlag},
    year = {2017},
    pages = {305--326},
    organization = {Zentrum f\"ur Telemann-Pflege und -Forschung Magdeburg},
    editor = {Lange, C. and Reipsch, B.},
    address = {Magdeburg, Germany}
    }

2016

  • Accelerating the Editing Phase in Music Productions using Interactive Scores
    S. Waloschek, A. Berndt, B. W. Bohl, and A. Hadjakos
    in Proc. of the 2nd AES Workshop on Intelligent Music Production, London, UK, 2016.
    [BibTeX]

    @INPROCEEDINGS{waloschek-2016-accelerating-editing-using-scores,
    author = {Waloschek, S. and Berndt, A. and Bohl, B. W. and Hadjakos, A.},
    title = {{Accelerating the Editing Phase in Music Productions using Interactive Scores}},
    booktitle = {{Proc. of the 2nd AES Workshop on Intelligent Music Production}},
    year = {2016},
    organization = {Queen Mary University of London, Center for Digital Music},
    publisher = {Audio Engineering Society (AES)},
    address = {London, UK},
    month = {Sept.}
    }
  • Hand Gestures in Music Production
    A. Berndt, S. Waloschek, and A. Hadjakos
    in Proc. of the Int. Computer Music Conf. (ICMC), Utrecht, The Netherlands, 2016.
    [BibTeX]

    @INPROCEEDINGS{berndt-2016-hand-gestures,
    author = {Berndt, A. and Waloschek, S. and Hadjakos, A.},
    title = {{Hand Gestures in Music Production}},
    booktitle = {{Proc. of the Int. Computer Music Conf. (ICMC)}},
    year = {2016},
    editor = {Timmermans, H.},
    publisher = {International Computer Music Association, HKU University of the Arts Utrecht, Gaudeamus Muziekweek},
    address = {Utrecht, The Netherlands},
    month = {Sept.}
    }
  • Interactive Scores in Classical Music Production
    S. Waloschek, A. Berndt, B. W. Bohl, and A. Hadjakos
    in Proc. of the 17th Int. Society for Music Information Retrieval Conf. (ISMIR) 2016, New York, NY, USA, 2016.
    [BibTeX]

    @INPROCEEDINGS{waloschek-2016-interactive-scores,
    author = {Waloschek, S. and Berndt, A. and Bohl, B. W. and Hadjakos, A.},
    title = {{Interactive Scores in Classical Music Production}},
    booktitle = {{Proc. of the 17th Int. Society for Music Information Retrieval Conf. (ISMIR) 2016}},
    editor = {Mandel, M.},
    organization = {New York University},
    year = {2016},
    address = {New York, NY, USA},
    month = {Aug.},
    publisher = {Int. Society for Music Information Retrieval}
    }
  • Formate als Sackgassen: Handlungsempfehlungen
    Bohl B. W., A. Berndt, and B. Senft
    in DHd 2016: Modellierung — Vernetzung — Visualisierung: Die Digital Humanities als fachübergreifendes Forschungsparadigma, Leipzig, Germany, 2016.
    [BibTeX]

    @INPROCEEDINGS{bohl-2016-formate-handlungsempfehlungen,
    author = {Bohl, B. W., and Berndt, A. and Senft, B.},
    title = {{Formate als Sackgassen: Handlungsempfehlungen}},
    booktitle = {{DHd 2016: Modellierung -- Vernetzung -- Visualisierung: Die Digital Humanities als fach\"ubergreifendes Forschungsparadigma}},
    year = {2016},
    organization = {Leipzig University},
    publisher = {nisaba verlag},
    address = {Leipzig, Germany},
    month = {Mar.}
    }
  • Dem Igel Sitte lehren … Musikedition: von der digitalen Verfügbarkeit zur aktiven Nutzung
    B. W. Bohl, A. Berndt, S. Waloschek, and A. Hadjakos,
    in "Ei, dem alten Herrn zoll’ ich Achtung gern’" Festschrift für Joachim Veit zum 60. Geburtstag, K. Richts and P. Stadler, Eds., Munich, Germany: Allitera Verlag, 2016, pp. 141-163.
    [BibTeX]

    @INCOLLECTION{bohl-2016-festschrift-veit,
    author = {Bohl, B. W. and Berndt, A. and Waloschek, S. and Hadjakos, A.},
    title = {{Dem Igel Sitte lehren ... Musikedition: von der digitalen Verf\"ugbarkeit zur aktiven Nutzung}},
    booktitle = {{"Ei, dem alten Herrn zoll' ich Achtung gern'" Festschrift f\"ur Joachim Veit zum 60. Geburtstag}},
    chapter = {12},
    publisher = {Allitera Verlag},
    year = {2016},
    address = {Munich, Germany},
    editor = {Richts, K. and Stadler, P.},
    month = {Jan.},
    pages = {141--163}
    }

2015

  • Vocalmetrics. Ein Software-Tool für das Visualisieren, das Rating und den Vergleich von Musik-Datensätzen
    A. Berndt, F. Schönfeld, R. Groh, T. Hähnel, T. Marx, and M. Pfleiderer,
    in Musikpsychologie — Anwendungsorientierte Forschung, W. Auhagen, C. Bullerjahn, and R. von Georgi, Eds., Göttingen, Germany: Hogrefe Verlag, 2015, pp. 254-262.
    [BibTeX]

    @INCOLLECTION{Berndt:2015:VOC,
    author = {Berndt, A. and Sch\"onfeld, F. and Groh, R. and H\"ahnel, T. and Marx, T. and Pfleiderer, M.},
    title = {{Vocalmetrics. Ein Software-Tool f\"ur das Visualisieren, das Rating und den Vergleich von Musik-Datens\"atzen}},
    booktitle = {{Musikpsychologie -- Anwendungsorientierte Forschung}},
    series = {{Jahrbuch der Deutschen Gesellschaft f\"ur Musikpsychologie}},
    number = {25},
    publisher = {Hogrefe Verlag},
    month = {Dec.},
    year = {2015},
    editor = {Auhagen, W. and Bullerjahn, C. and von Georgi, R.},
    pages = {254--262},
    address = {G\"ottingen, Germany}
    }
  • TouchNoise: A New Multitouch Interface for Creative Work with Noise
    A. Berndt, N. Al-Kassab, and R. Dachselt
    in Audio Mostly 2015: 10th Conf. on Interaction with Sound—Sound, Semantics and Social Interaction, Thessaloniki, Greece, 2015.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2015:TN,
    author = {Berndt, A. and Al-Kassab, N. and Dachselt, R.},
    title = {{TouchNoise: A New Multitouch Interface for Creative Work with Noise}},
    booktitle = {{Audio Mostly 2015: 10th Conf. on Interaction with Sound---Sound, Semantics and Social Interaction}},
    organization = {Aristotle University of Thessaloniki},
    publisher = {ACM},
    year = {2015},
    address = {Thessaloniki, Greece},
    month = {Oct.}
    }
  • Vocalmetrics: Music Visualization and Rating Techniques
    F. Schönfeld,
    in Works in Audio and Music Technology, A. Berndt, Ed., Dresden, Germany: TUDpress, 2015, pp. 155-170.
    [BibTeX]

    @INCOLLECTION{Schoenfeld:2015:VOC,
    author = {Sch\"onfeld, F.},
    title = {{Vocalmetrics: Music Visualization and Rating Techniques}},
    booktitle = {{Works in Audio and Music Technology}},
    chapter = {6},
    pages = {155--170},
    publisher = {TUDpress},
    year = {2015},
    month = {Sept.},
    address = {Dresden, Germany},
    editor = {Berndt, A.}
    }
  • Gedanken zur Nutzung von Handgesten in der Musikproduktion
    A. Berndt, S. Waloschek, and A. Hadjakos
    in Mensch und Computer: Workshop für Innovative Computerbasierte Musikinterfaces, Stuttgart, Germany, 2015, pp. 247-252.
    [BibTeX]

    @INPROCEEDINGS{berndt-2015-handgesten,
    author = {Berndt, A. and Waloschek, S. and Hadjakos, A.},
    title = {{Gedanken zur Nutzung von Handgesten in der Musikproduktion}},
    booktitle = {{Mensch und Computer: Workshop f\"ur Innovative Computerbasierte Musikinterfaces}},
    editor = {Schmidt, A. and Burmester, M. and Weisbecker, A.},
    year = {2015},
    pages = {247--252},
    organization = {University of Stuttgart, Gesellschaft f\"ur Informatik},
    publisher = {Oldenbourg Wissenschaftsverlag},
    address = {Stuttgart, Germany},
    month = {Sept.}
    }
  • Works in Audio and Music Technology
    A. Berndt, Ed., Dresden, Germany: TUDpress, 2015.
    [BibTeX]

    @BOOK{Berndt:2015:WAM,
    title = {{Works in Audio and Music Technology}},
    year = {2015},
    editor = {Berndt, A.},
    publisher = {TUDpress},
    month = {Sept.},
    address = {Dresden, Germany},
    url = {http://www.tudpress.de/TUDpressXTC2013/product_info.php?products_id=932}
    }
  • Studying Music Performance and Perception via Interaction
    A. Berndt and T. Hähnel,
    in Works in Audio and Music Technology, A. Berndt, Ed., Dresden, Germany: TUDpress, 2015, pp. 129-153.
    [BibTeX]

    @INCOLLECTION{Berndt:2015:SMP,
    author = {Berndt, A. and H\"ahnel, T.},
    title = {{Studying Music Performance and Perception via Interaction}},
    booktitle = {{Works in Audio and Music Technology}},
    chapter = {5},
    pages = {129--153},
    publisher = {TUDpress},
    year = {2015},
    month = {Sept.},
    address = {Dresden, Germany},
    editor = {Berndt, A.}
    }
  • Auditory Pointers
    R. H. Lorenz and H. Schuster,
    in Works in Audio and Music Technology, A. Berndt, Ed., Dresden, Germany: TUDpress, 2015, pp. 1-30.
    [BibTeX]

    @INCOLLECTION{Lorenz:2015:AP,
    author = {Lorenz, R. H. and Schuster, H.},
    title = {{Auditory Pointers}},
    booktitle = {{Works in Audio and Music Technology}},
    chapter = {1},
    pages = {1--30},
    publisher = {TUDpress},
    year = {2015},
    month = {Sept.},
    address = {Dresden, Germany},
    editor = {Berndt, A.}
    }
  • Formalizing Expressive Music Performance Phenomena
    A. Berndt,
    in Works in Audio and Music Technology, A. Berndt, Ed., Dresden, Germany: TUDpress, 2015, pp. 97-128.
    [BibTeX]

    @INCOLLECTION{Berndt:2015:FEM,
    author = {Berndt, A.},
    title = {{Formalizing Expressive Music Performance Phenomena}},
    booktitle = {{Works in Audio and Music Technology}},
    chapter = {4},
    pages = {97--128},
    publisher = {TUDpress},
    year = {2015},
    month = {Sept.},
    address = {Dresden, Germany},
    editor = {Berndt, A.}
    }
  • TouchNoise: A Multitouch Noise Instrument
    N. Al-Kassab and A. Berndt,
    in Works in Audio and Music Technology, A. Berndt, Ed., Dresden, Germany: TUDpress, 2015, pp. 31-57.
    [BibTeX]

    @INCOLLECTION{Berndt:2015:TNM,
    author = {Al-Kassab, N. and Berndt, A.},
    title = {{TouchNoise: A Multitouch Noise Instrument}},
    booktitle = {{Works in Audio and Music Technology}},
    chapter = {2},
    pages = {31--57},
    publisher = {TUDpress},
    year = {2015},
    month = {Sept.},
    address = {Dresden, Germany},
    editor = {Berndt, A.}
    }
  • Interactive Ambient Music Generation
    M. Müller,
    in Works in Audio and Music Technology, A. Berndt, Ed., Dresden, Germany: TUDpress, 2015, pp. 59-95.
    [BibTeX]

    @INCOLLECTION{Mueller:2015:IAMG,
    author = {M\"uller, M.},
    title = {{Interactive Ambient Music Generation}},
    booktitle = {{Works in Audio and Music Technology}},
    chapter = {3},
    pages = {59--95},
    publisher = {TUDpress},
    year = {2015},
    month = {Sept.},
    address = {Dresden, Germany},
    editor = {Berndt, A.}
    }
  • Synchronizing Spatially Distributed Musical Ensembles
    A. Hadjakos, A. Berndt, and S. Waloschek
    in 12th Sound and Music Computing Conf. (SMC15), Maynooth, Ireland, 2015.
    [BibTeX]

    @INPROCEEDINGS{hadjakos-2015-sync-ensembles,
    author = {Hadjakos, A. and Berndt, A. and Waloschek, S.},
    title = {{Synchronizing Spatially Distributed Musical Ensembles}},
    booktitle = {{12th Sound and Music Computing Conf. (SMC15)}},
    year = {2015},
    organization = {Maynooth University},
    address = {Maynooth, Ireland},
    month = {July}
    }

2014

  • Vocalmetrics: An interactive software for visualization and classification of music
    F. Schönfeld, A. Berndt, T. Hähnel, M. Pfleiderer, and R. Groh
    in Audio Mostly 2014: 9th Conf. on Interaction with Sound—Imagining Sound and Music, Aalborg, Denmark, 2014.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2014:VM,
    author = {Sch\"onfeld, F. and Berndt, A. and H\"ahnel, T. and Pfleiderer, M. and Groh, R.},
    title = {{Vocalmetrics: An interactive software for visualization and classification of music}},
    booktitle = {{Audio Mostly 2014: 9th Conf. on Interaction with Sound---Imagining Sound and Music}},
    organization = {Aalborg University, Interactive Institute/Sonic Studio Pite\aa},
    publisher = {ACM},
    year = {2014},
    address = {Aalborg, Denmark},
    month = {Oct.}
    }
  • Ambiente Musik zur Vertonung immersiver interaktiver Medien
    A. Berndt,
    in Jahrbuch immersiver Medien 2014: Klänge, Musik und Soundscapes, Institut für immersive Medien, Ed., Fachhochschule Kiel, Germany: Schüren Verlag, 2014, pp. 95-105.
    [BibTeX]

    @INCOLLECTION{Berndt:2014:AMV,
    author = {Berndt, A.},
    title = {{Ambiente Musik zur Vertonung immersiver interaktiver Medien}},
    booktitle = {{Jahrbuch immersiver Medien 2014: Kl\"ange, Musik und Soundscapes}},
    publisher = {Sch\"uren Verlag},
    year = {2014},
    editor = {{Institut f\"ur immersive Medien}},
    pages = {95--105},
    address = {Fachhochschule Kiel, Germany},
    month = {Oct.}
    }
  • TouchNoise: A Particle-based Multitouch Noise Modulation Interface
    A. Berndt, N. Al-Kassab, and R. Dachselt
    in Proc. of New Interfaces for Musical Expression (NIME) 2014, London, UK, 2014, pp. 323-326.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2014:TN,
    author = {Berndt, A. and Al-Kassab, N. and Dachselt, R.},
    title = {{TouchNoise: A Particle-based Multitouch Noise Modulation Interface}},
    booktitle = {{Proc. of New Interfaces for Musical Expression (NIME) 2014}},
    year = {2014},
    publisher = {Goldsmiths, University of London},
    address = {London, UK},
    month = {June},
    pages = {323--326}
    }

2013

  • Designing Auditory Pointers
    R. Lorenz, A. Berndt, and R. Groh
    in Audio Mostly 2013: 8th Conf. on Interaction with Sound—Sound for Information and Intuition, Piteå, Sweden, 2013.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2013:DAP,
    author = {Lorenz, R. and Berndt, A. and Groh, R.},
    title = {{Designing Auditory Pointers}},
    booktitle = {{Audio Mostly 2013: 8th Conf. on Interaction with Sound---Sound for Information and Intuition}},
    organization = {Interactive Institute/Sonic Studio Pite\aa},
    publisher = {ACM},
    year = {2013},
    address = {Pite\aa, Sweden},
    month = {Sept.}
    }
  • New Perspectives on Interactivity in Project Management Tools
    M. de Almeida Madeira Clemente, A. Berndt, H. Leitner, M. Keck, R. Gaertner, and R. Groh
    in HCI International 2013—Posters’ Extended Abstracts, Las Vegas, Nevada, 2013, pp. 484-488.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2013:NPP,
    author = {de Almeida Madeira Clemente, M. and Berndt, A. and Leitner, H. and Keck, M. and Gaertner, R. and Groh, R.},
    title = {{New Perspectives on Interactivity in Project Management Tools}},
    booktitle = {{HCI International 2013---Posters' Extended Abstracts}},
    volume = {374},
    series = {Communications in Computer and Information Science},
    editor = {Stephanidis, C.},
    year = {2013},
    publisher = {Springer Verlag},
    address = {Las Vegas, Nevada},
    month = {July},
    pages = {484--488}
    }
  • Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen
    A. Berndt
    in Kieler Beiträge zur Filmmusikforschung, vol. 9, pp. 293-323, 2013.
    [BibTeX]

    @ARTICLE{Berndt:2013:IDM,
    author = {Berndt, A.},
    title = {{Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen}},
    journal = {{Kieler Beitr\"age zur Filmmusikforschung}},
    publisher = {Kieler Gesellschaft f\"ur Filmmusikforschung},
    year = {2013},
    pages = {293--323},
    month = {March},
    volume = {9}
    }

2012

  • Variance in Repetitive Games Music
    A. Berndt
    in Proc. of the Int. Computer Music Conf. (ICMC), Ljubljana, Slovenia, 2012, pp. 412-415.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2012:VRG,
    author = {Berndt, A.},
    title = {{Variance in Repetitive Games Music}},
    booktitle = {{Proc. of the Int. Computer Music Conf. (ICMC)}},
    year = {2012},
    editor = {M. Marolt, M. and Kaltenbrunner, M. and Ciglar, M.},
    publisher = {International Computer Music Association, University of Ljubljana},
    pages = {412--415},
    address = {Ljubljana, Slovenia},
    month = {Sept.}
    }
  • A Survey of Variation Techniques for Repetitive Games Music
    A. Berndt, R. Dachselt, and R. Groh
    in Audio Mostly 2012: 6th Conf. on Interaction with Sound—Sound and Future Vision, Corfu, Greece, 2012, pp. 61-67.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2012:SVT,
    author = {Berndt, A. and Dachselt, R. and Groh, R.},
    title = {{A Survey of Variation Techniques for Repetitive Games Music}},
    booktitle = {{Audio Mostly 2012: 6th Conf. on Interaction with Sound---Sound and Future Vision}},
    year = {2012},
    organization = {Ionian Academy, Interactive Institute/Sonic Studio Pite\aa},
    publisher = {ACM SIGCHI},
    address = {Corfu, Greece},
    month = {Sept.},
    pages = {61--67}
    }

2011

  • Eighth-Notes Performances: Kinds of Inégalité
    T. Hähnel and A. Berndt
    in Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context, Coimbra, Portugal, 2011, pp. 75-81.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2011:ENP,
    author = {H\"ahnel, T. and Berndt, A.},
    title = {{Eighth-Notes Performances: Kinds of In\'egalit\'e}},
    booktitle = {{Audio Mostly 2011: 6th Conf. on Interaction with Sound---Sound and Context}},
    year = {2011},
    organization = {University of Coimbra, Interactive Institute/Sonic Studio Pite\aa},
    publisher = {ACM SIGCHI},
    address = {Coimbra, Portugal},
    month = {Sept.},
    pages = {75--81}
    }
  • Musical Tempo Curves
    A. Berndt
    in Proc. of the Int. Computer Music Conf. (ICMC), Huddersfield, UK, 2011, pp. 118-121.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2011:MTC,
    author = {Berndt, A.},
    title = {{Musical Tempo Curves}},
    booktitle = {{Proc. of the Int. Computer Music Conf. (ICMC)}},
    year = {2011},
    editor = {Clarke, M. and Adkins, M. and Isaacs, B.},
    publisher = {International Computer Music Association, University of Huddersfield},
    pages = {118--121},
    address = {Huddersfield, UK},
    month = {Aug.}
    }
  • Studying Interdependencies in Music Performance: An Interactive Tool
    T. Hähnel and A. Berndt
    in Proc. of New Interfaces for Musical Expression (NIME) 2011, Oslo, Norway, 2011, pp. 48-51.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2011:SI,
    author = {H\"ahnel, T. and Berndt, A.},
    title = {{Studying Interdependencies in Music Performance: An Interactive Tool}},
    booktitle = {{Proc. of New Interfaces for Musical Expression (NIME) 2011}},
    year = {2011},
    publisher = {University of Oslo, Norwegian Academy of Music},
    address = {Oslo, Norway},
    month = {May},
    pages = {48--51}
    }
  • Diegetic Music: New Interactive Experiences
    A. Berndt,
    in Game Sound Technology and Player Interaction: Concepts and Developments, M. Grimshaw, Ed., Hershey, PA: IGI Global, 2011, pp. 60-76.
    [BibTeX]

    @INCOLLECTION{Berndt:2011:DM,
    author = {Berndt, A.},
    title = {{Diegetic Music: New Interactive Experiences}},
    booktitle = {{Game Sound Technology and Player Interaction: Concepts and Developments}},
    publisher = {IGI Global},
    year = {2011},
    address = {Hershey, PA},
    editor = {Grimshaw, M.},
    pages = {60--76}
    }
  • Musik für interaktive Medien: Arrangement- und Interpretationstechniken
    A. Berndt, , Munich, Germany: Verlag Dr. Hut, 2011.
    [BibTeX]

    @BOOK{berndt-2011-dissbook,
    author = {Berndt, A.},
    title = {{Musik f\"ur interaktive Medien: Arrangement- und Interpretationstechniken}},
    publisher = {Verlag Dr. Hut},
    year = {2011},
    address = {Munich, Germany}
    }

2010

  • Modelling Musical Dynamics
    A. Berndt and T. Hähnel
    in Audio Mostly 2010: 5th Conf. on Interaction with Sound—Sound and Design, Piteå, Sweden, 2010, pp. 134-141
    awarded for best presentation.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2010:MMD,
    author = {Berndt, A. and H\"ahnel, T.},
    title = {{Modelling Musical Dynamics}},
    booktitle = {{Audio Mostly 2010: 5th Conf. on Interaction with Sound---Sound and Design}},
    organization = {Interactive Institute/Sonic Studio Pite\aa},
    publisher = {ACM},
    year = {2010},
    address = {Pite\aa, Sweden},
    month = {Sept.},
    pages = {134--141},
    note = {awarded for best presentation}
    }
  • Synthetic and Pseudo-Synthetic Music Performances: An Evaluation
    T. Hähnel and A. Berndt
    in Proc. of the 3rd Int. Conf. of Students of Systematic Musicology (SysMus10), Cambridge, UK, 2010.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2010:SSPMP,
    author = {H\"ahnel, T. and Berndt, A.},
    title = {{Synthetic and Pseudo-Synthetic Music Performances: An Evaluation}},
    booktitle = {{Proc. of the 3rd Int. Conf. of Students of Systematic Musicology (SysMus10)}},
    year = {2010},
    organization = {University of Cambridge},
    address = {Cambridge, UK},
    month = {Sept.}
    }
  • Decentralizing Music, Its Performance, and Processing
    A. Berndt
    in Proc. of the Int. Computer Music Conf. (ICMC), New York, USA, 2010, pp. 381-388.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2010:DMPP,
    author = {Berndt, A.},
    title = {{Decentralizing Music, Its Performance, and Processing}},
    booktitle = {{Proc. of the Int. Computer Music Conf. (ICMC)}},
    year = {2010},
    editor = {Schedel, M. and Weymouth, D.},
    publisher = {International Computer Music Association, Stony Brook University},
    pages = {381--388},
    address = {New York, USA},
    month = {June}
    }
  • Expressive Articulation for Synthetic Music Performances
    T. Hähnel and A. Berndt
    in Proc. of New Interfaces for Musical Expression (NIME) 2010, Sydney, Australia, 2010, pp. 277-282.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2010:EA,
    author = {H\"ahnel, T. and Berndt, A.},
    title = {{Expressive Articulation for Synthetic Music Performances}},
    booktitle = {{Proc. of New Interfaces for Musical Expression (NIME) 2010}},
    year = {2010},
    pages = {277--282},
    publisher = {University of Technology Sydney},
    address = {Sydney, Australia},
    month = {June}
    }

2009

  • Expressive Musical Timing
    A. Berndt and T. Hähnel
    in Audio Mostly 2009: 4th Conf. on Interaction with Sound—Sound and Emotion, Glasgow, Scotland, 2009, pp. 9-16.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2009:EMT,
    author = {Berndt, A. and H\"ahnel, T.},
    title = {{Expressive Musical Timing}},
    booktitle = {{Audio Mostly 2009: 4th Conf. on Interaction with Sound---Sound and Emotion}},
    publisher = {Glasgow Caledonian University, Interactive Institute/Sonic Studio Pite\aa},
    year = {2009},
    pages = {9--16},
    address = {Glasgow, Scotland},
    month = {Sept.}
    }
  • Musical Nonlinearity in Interactive Narrative Environments
    A. Berndt
    in Proc. of the Int. Computer Music Conf. (ICMC), Montréal, Canada, 2009, pp. 355-358.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2009:MNI,
    author = {Berndt, A.},
    title = {{Musical Nonlinearity in Interactive Narrative Environments}},
    booktitle = {{Proc. of the Int. Computer Music Conf. (ICMC)}},
    year = {2009},
    editor = {Scavone, G. and Verfaille, V. and da Silva, A.},
    pages = {355--358},
    publisher = {International Computer Music Association, Schulich School of Music/McGill University},
    address = {Montr\'eal, Canada},
    month = {Aug.}
    }

2008

  • Adaptive Musical Expression from Automatic Realtime Orchestration and Performance
    A. Berndt and H. Theisel
    in Interactive Digital Storytelling (ICIDS) 2008, Erfurt, Germany, 2008, pp. 132-143
    LNCS 5334.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2008:AME,
    author = {Berndt, A. and Theisel, H.},
    title = {{Adaptive Musical Expression from Automatic Realtime Orchestration and Performance}},
    booktitle = {{Interactive Digital Storytelling (ICIDS) 2008}},
    editor = {Spierling, U. and Szilas, N.},
    pages = {132--143},
    year = {2008},
    month = {Nov.},
    address = {Erfurt, Germany},
    publisher = {Springer},
    note = {LNCS 5334}
    }
  • The Functions of Music in Interactive Media
    A. Berndt and K. Hartmann
    in Interactive Digital Storytelling (ICIDS) 2008, Erfurt, Germany, 2008, pp. 126-131
    LNCS 5334.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2008:FOM,
    author = {Berndt, A. and Hartmann, K.},
    title = {{The Functions of Music in Interactive Media}},
    booktitle = {{Interactive Digital Storytelling (ICIDS) 2008}},
    editor = {Spierling, U. and Szilas, N.},
    pages = {126--131},
    year = {2008},
    month = {Nov.},
    address = {Erfurt, Germany},
    publisher = {Springer},
    note = {LNCS 5334}
    }
  • A Musical Instrument based on Interactive Sonification Techniques
    L. Stockmann, A. Berndt, and N. Röber
    in Audio Mostly 2008: 3rd Conf. on Interaction with Sound, Piteå, Sweden, 2008, pp. 72-79.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2008:MI,
    author = {Stockmann, L. and Berndt, A. and R\"ober, N.},
    title = {{A Musical Instrument based on Interactive Sonification Techniques}},
    booktitle = {{Audio Mostly 2008: 3rd Conf. on Interaction with Sound}},
    publisher = {Interactive Institute/Sonic Studio Pite\aa},
    pages = {72--79},
    year = {2008},
    address = {Pite\aa, Sweden},
    month = {Oct.}
    }

2007

  • Strategies for Narrative and Adaptive Game Scoring
    A. Berndt and K. Hartmann
    in Audio Mostly 2007: 2nd Conf. on Interaction with Sound, Ilmenau, Germany, 2007, pp. 141-147.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2007:AGS,
    author = {Berndt, A. and Hartmann, K.},
    title = {{Strategies for Narrative and Adaptive Game Scoring}},
    booktitle = {{Audio Mostly 2007: 2nd Conf. on Interaction with Sound}},
    publisher = {Fraunhofer IDMT, Interactive Institute/Sonic Studio Pite\aa},
    pages = {141--147},
    year = {2007},
    address = {Ilmenau, Germany},
    month = {Sept.}
    }
  • Interactive Data Mining & Machine Learning Techniques for Musicology
    K. Hartmann, D. Büchner, A. Berndt, A. Nürnberger, and C. Lange
    in Conf. on Interdisciplinary Musicology 2007 (CIM07), Tallinn, Estonia, 2007.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2007:IDM,
    author = {Hartmann, K. and B\"uchner, D. and Berndt, A. and N\"urnberger, A. and Lange, C.},
    title = {{Interactive Data Mining \& Machine Learning Techniques for Musicology}},
    booktitle = {{Conf. on Interdisciplinary Musicology 2007 (CIM07)}},
    year = {2007},
    address = {Tallinn, Estonia},
    month = {Aug.}
    }

2006

  • Composition and Arrangement Techniques for Music in Interactive Immersive Environments
    A. Berndt, K. Hartmann, N. Röber, and M. Masuch
    in Audio Mostly 2006: A Conf. on Sound in Games, Piteå, Sweden, 2006, pp. 53-59.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2006:CAT,
    author = {Berndt, A. and Hartmann, K. and R\"ober, N. and Masuch, M.},
    title = {{Composition and Arrangement Techniques for Music in Interactive Immersive Environments}},
    booktitle = {{Audio Mostly 2006: A Conf. on Sound in Games}},
    year = {2006},
    pages = {53--59},
    publisher = {Interactive Institute/Sonic Studio},
    address = {Pite\aa, Sweden},
    month = {Oct.}
    }
  • Repräsentation musikalischer Metainformationen
    A. Berndt
    Diploma thesis, Otto-von-Guericke University, Department of Simulation and Graphics, Magdeburg, Germany, 2006.
    [BibTeX]

    @MASTERSTHESIS{Berndt:2006:RMM,
    author = {Berndt, A.},
    title = {{Repr\"asentation musikalischer Metainformationen}},
    school = {Otto-von-Guericke University, Department of Simulation and Graphics},
    year = {2006},
    address = {Magdeburg, Germany},
    month = {Jan.},
    type = {Diploma thesis}
    }

2003

  • Navigation Tools for Text Embedded within Complex-Shaped Area Features and Meandering Linear Features
    W. Chigona, K. Hartmann, A. Berndt, S. Mirschel, and T. Strothotte
    in Simulation und Visualisierung (SimVis), Magdeburg, Germany, 2003, pp. 129-138.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2003:NT,
    author = {Chigona, W. and Hartmann, K. and Berndt, A. and Mirschel, S. and Strothotte, T.},
    title = {{Navigation Tools for Text Embedded within Complex-Shaped Area Features and Meandering Linear Features}},
    booktitle = {Simulation und Visualisierung (SimVis)},
    year = {2003},
    editor = {Schulze, T. and Schlechtweg, S. and Hinz, V.},
    pages = {129--138},
    publisher = {SCS Publishing House e.V.},
    address = {Magdeburg, Germany},
    month = {March}
    }

(This list is preliminary and will be expanded soon!)

 

Digital Music Editions

In the course of the Center “Music – Edition – Media” we develop tools for and new approaches to digital music editions. This comprises converters, audio-to-score alignment services, pen and touch interfaces for the annotation of autographs, and file format developments.

 

Tools for Musicology and Music Education

Development of Music Information Retrieval techniques to support musicology and digital music edition.

With Vocalmetrics [1, 2] we, furthermore, provide a visualization and interaction tool for musicological work with large music databases. It supports database analysis with visual analytics techniques. Maintenance and the insertion of new datasets is supported by metapher-driven interactive rating techniques.

 

New Interfaces for Music Production

Free-hand input for controlling expressive music parameters, pen-and-touch interactive scores for different stages of classical music production.

 

New Interfaces for Musical Expression

Development of new synthesis and interaction techniques for musical instruments. This covers a whole bandwidth of human-machine interaction technologies, such as multitouch, free-hand gestures, and tangible interaction. One such outcome is the TouchNoise interface

 

Expressive Music Performance

In-depth analyses of phenomena of expressive music performance (timing, dynamics, articulation), the development of mathematical models to emulate these phenomena and their implementation to render expressive MIDI sequences.

 

Music for Interactive Media

Techniques for the musical scoring of interactive media, dynamic music, that is able to react on interaction, i.e. changes in the interactive narrative, seamlessly and without unmusical cuts and breaks.

 

Generative Music

Experiments with a whole bandwidth of algorithmic music generation techniques, always connected to direct and/or indirect user interaction even during playback.

 

Auditory Displays

Development of Auditory Display techniques for several application contexts. The sonification of motion data and mid-air gestures (tracked from Microsoft Kinect) support user interaction. The generation of urban soundscapes aid urban development and planning (in collaboration with Fraunhofer IFF Magdeburg). A series of studies on navigation via sound mdulations, we called these sounds Auditory Pointers, resulted in the development of a prototype Android app.

 

Curricular Developments in Art, Science and Engineering

I contributed to the development of a new interdisciplinary Masters study course at Ostwestfalen-Lippe University of Applied Sciences and University of Music Detmold. It involves the fields media production, audiovisual arts and computer science.

I was, furthermore, involved in a project that brought together Technische Universität Dresden, Dresden University of Applied Sciences (Hochschule für Technik und Wirtschaft Dresden) and Dresden University of Fine Arts (Hochschule für Bildende Künste Dresden). In this project we explored possibilities for shared interdisciplinary studies.

 

Interaction and Visualization Techniques for Agile Multiproject Management

In this project we developed interaction and visualization approaches to support the efficiency and effectiveness of different meeting and planning scenarios in business companies.

2017

  • Interaktive Partituren in der Musikproduktion
    S. Waloschek
    Master’s thesis, Ostwestfalen-Lippe University of Applied Sciences, Center of Music and Film Informatics, Detmold, Germany, 2017.
    [BibTeX]

    @MASTERSTHESIS{Waloschek:2017:IPMP,
    author = {Waloschek, S.},
    title = {{Interaktive Partituren in der Musikproduktion}},
    school = {Ostwestfalen-Lippe University of Applied Sciences, Center of Music and Film Informatics},
    year = {2017},
    address = {Detmold, Germany},
    month = {Feb.}
    }

2015

  • Auditory Guides: Techniken zur räumlichen Navigation mittels auditorischer Zeiger
    H. Schuster
    Diploma thesis, Technische Universität Dresden, Faculty of Computer Science, Dresden, Germany, 2015.
    [BibTeX]

    @MASTERSTHESIS{Schuster:2015:AG,
    author = {Schuster, H.},
    title = {{Auditory Guides: Techniken zur r\"aumlichen Navigation mittels auditorischer Zeiger}},
    school = {Technische Universit\"at Dresden, Faculty of Computer Science},
    year = {2015},
    address = {Dresden, Germany},
    month = {Aug.},
    type = {Diploma thesis}
    }
  • Kombination von Klangparametern für auditorische Zeiger
    M. Möhler
    Diploma thesis, Technische Universität Dresden, Faculty of Computer Science, Dresden, Germany, 2015.
    [BibTeX]

    @MASTERSTHESIS{Moehler:2015:KKAZ,
    author = {M\"ohler, M.},
    title = {{Kombination von Klangparametern f\"ur auditorische Zeiger}},
    school = {Technische Universit\"at Dresden, Faculty of Computer Science},
    year = {2015},
    address = {Dresden, Germany},
    month = {July},
    type = {Diploma thesis}
    }
  • Zykloid: A Visual Approach To Drum Synthesis
    J. Peschke
    Diploma thesis, Technische Universität Dresden, Faculty of Computer Science, Dresden, Germany, 2015.
    [BibTeX]

    @MASTERSTHESIS{Peschke:2015:Zykloid,
    author = {Peschke, J.},
    title = {{Zykloid: A Visual Approach To Drum Synthesis}},
    school = {Technische Universit\"at Dresden, Faculty of Computer Science},
    year = {2015},
    address = {Dresden, Germany},
    month = {May},
    type = {Diploma thesis}
    }
  • Newton: Interface-Konzepte zur Steuerung digitaler Audio-Effekte und Klangsyntheseparameter basierend auf 2D-Physik-Engines
    T. Meerpohl
    Diploma thesis, Technische Universität Dresden, Faculty of Computer Science, Dresden, Germany, 2015
    in cooperation with MAGIX Software GmbH.
    [BibTeX]

    @MASTERSTHESIS{Meerpohl:2015:Newton,
    author = {Meerpohl, T.},
    title = {{Newton: Interface-Konzepte zur Steuerung digitaler Audio-Effekte und Klangsyntheseparameter basierend auf 2D-Physik-Engines}},
    school = {Technische Universit\"at Dresden, Faculty of Computer Science},
    year = {2015},
    address = {Dresden, Germany},
    month = {May},
    type = {Diploma thesis},
    note = {in cooperation with MAGIX Software GmbH}
    }

2014

  • Ein Multitouch-Interface für ein digitales Musikinstrument
    N. Al-Kassab
    Diploma thesis, Technische Universität Dresden, Faculty of Computer Science, Dresden, Germany, 2014.
    [BibTeX]

    @MASTERSTHESIS{Kassab:2014:MDM,
    author = {Al-Kassab, N.},
    title = {{Ein Multitouch-Interface f\"ur ein digitales Musikinstrument}},
    school = {Technische Universit\"at Dresden, Faculty of Computer Science},
    year = {2014},
    address = {Dresden, Germany},
    month = {Aug.},
    type = {Diploma thesis}
    }
  • Cubrick: Der Rubik-Würfel als Tangible MIDI Controller
    T. Meerpohl
    student research project, Technische Universität Dresden, Faculty of Computer Science, Dresden Germany, 2014.
    [BibTeX]

    @MASTERSTHESIS{Meerpohl:2014:CUB,
    author = {Meerpohl, T.},
    title = {{Cubrick: Der Rubik-W\"urfel als Tangible MIDI Controller}},
    school = {Technische Universit\"at Dresden, Faculty of Computer Science},
    year = {2014},
    address = {Dresden Germany},
    month = {July},
    type = {student research project}
    }
  • Auditives Feedback zur Unterstützung der Eingabe von berührungsfreien Gesten
    L. Engeln
    Bachelor thesis, Technische Universität Dresden, Faculty of Computer Science, Dresden, Germany, 2014.
    [BibTeX]

    @MASTERSTHESIS{Engeln:2014:AF,
    author = {Engeln, L.},
    title = {{Auditives Feedback zur Unterst\"utzung der Eingabe von ber\"uhrungsfreien Gesten}},
    school = {Technische Universit\"at Dresden, Faculty of Computer Science},
    year = {2014},
    address = {Dresden, Germany},
    month = {July},
    type = {Bachelor thesis}
    }
  • Kollaboratives Arbeiten in Multitouch-Umgebungen
    A. -M. Balcke
    student research project, Technische Universität Dresden, Faculty of Computer Science, Dresden, Germany, 2014
    in cooperation with MAGIX Software GmbH.
    [BibTeX]

    @MASTERSTHESIS{Balcke:2014:KAM,
    author = {Balcke, A.-M.},
    title = {{Kollaboratives Arbeiten in Multitouch-Umgebungen}},
    school = {Technische Universit\"at Dresden, Faculty of Computer Science},
    year = {2014},
    address = {Dresden, Germany},
    month = {July},
    type = {student research project},
    note = {in cooperation with MAGIX Software GmbH}
    }
  • Cyclone: Klangsynthese auf der Basis zyklischer Bézierkurven
    J. Peschke
    student research project, Technische Universität Dresden, Faculty of Computer Science, Dresden, Germany, 2014
    awarded at MIDI HACK Stockholm, Sweden, May 2014.
    [BibTeX]

    @MASTERSTHESIS{Peschke:2014:Cyclone,
    author = {Peschke, J.},
    title = {{Cyclone: Klangsynthese auf der Basis zyklischer B\'ezierkurven}},
    school = {Technische Universit\"at Dresden, Faculty of Computer Science},
    year = {2014},
    address = {Dresden, Germany},
    month = {Apr.},
    type = {student research project},
    note = {awarded at MIDI HACK Stockholm, Sweden, May 2014}
    }

2013

  • Erweiterte Untersuchung zum Design auditorischer Zeiger
    H. Schuster
    student research project, Technische Universität Dresden, Faculty of Computer Science, Dreden, Germany, 2013.
    [BibTeX]

    @MASTERSTHESIS{Schuster:2013:EUAZ,
    author = {Schuster, H.},
    title = {{Erweiterte Untersuchung zum Design auditorischer Zeiger}},
    school = {Technische Universit\"at Dresden, Faculty of Computer Science},
    year = {2013},
    address = {Dreden, Germany},
    month = {Oct.},
    type = {student research project}
    }
  • Bewegungssonifikation
    M. Möhler
    student research project, Technische Universität Dresden, Faculty of Computer Science, Dreden, Germany, 2013.
    [BibTeX]

    @MASTERSTHESIS{Moehler:2013:BS,
    author = {M\"ohler, M.},
    title = {{Bewegungssonifikation}},
    school = {Technische Universit\"at Dresden, Faculty of Computer Science},
    year = {2013},
    address = {Dreden, Germany},
    month = {Oct.},
    type = {student research project}
    }
  • Entwicklung eines Rating-Tools für die Erstellung musikwissenschaftlicher Datensätze
    F. Schönfeld
    student research project, Technische Universität Dresden, Faculty of Computer Science, Dreden, Germany, 2013
    in collaboration with University of Music Franz Liszt Weimar.
    [BibTeX]

    @MASTERSTHESIS{Schoenfeld:2013:REMD,
    author = {Sch\"onfeld, F.},
    title = {{Entwicklung eines Rating-Tools f\"ur die Erstellung musikwissenschaftlicher Datens\"atze}},
    school = {Technische Universit\"at Dresden, Faculty of Computer Science},
    year = {2013},
    address = {Dreden, Germany},
    month = {Oct.},
    type = {student research project},
    note = {in collaboration with University of Music Franz Liszt Weimar}
    }
  • Metaphernbasierte Visualisierung von Musikdatenbanken
    N. Christoph
    Diploma thesis, Technische Universität Dresden, Faculty of Computer Science, Dreden, Germany, 2013.
    [BibTeX]

    @MASTERSTHESIS{Christoph:2013:MVM,
    author = {Christoph, N.},
    title = {{Metaphernbasierte Visualisierung von Musikdatenbanken}},
    school = {Technische Universit\"at Dresden, Faculty of Computer Science},
    year = {2013},
    address = {Dreden, Germany},
    month = {Sept.},
    type = {Diploma thesis},
    }
  • Interaktive Ambiente Musik
    M. Müller
    Diploma thesis, Technische Universität Dresden, Faculty of Computer Science, Dresden, Germany, 2013.
    [BibTeX]

    @MASTERSTHESIS{Mueller:2013:IAM,
    author = {M\"uller, M.},
    title = {{Interaktive Ambiente Musik}},
    school = {Technische Universit\"at Dresden, Faculty of Computer Science},
    year = {2013},
    address = {Dresden, Germany},
    month = {Aug.},
    type = {Diploma thesis}
    }
  • Multi-Touch-Interaktion mit Klangpartikeln
    N. Al-Kassab
    student research project, Technische Universität Dresden, Faculty of Computer Science, Dreden, Germany, 2013.
    [BibTeX]

    @MASTERSTHESIS{Kassab:2013:MIK,
    author = {Al-Kassab, N.},
    title = {{Multi-Touch-Interaktion mit Klangpartikeln}},
    school = {Technische Universit\"at Dresden, Faculty of Computer Science},
    year = {2013},
    address = {Dreden, Germany},
    month = {July},
    type = {student research project}
    }
  • Design auditorischer Zeiger: Eine Untersuchung zu den Auswirkungen ausgewählter Klangparameter auf die Effektivität eines akustischen Zeigers
    R. Lorenz
    Diploma thesis, Technische Universität Dresden, Faculty of Computer Science, Dresden, Germany, 2013.
    [BibTeX]

    @MASTERSTHESIS{Lorenz:2013:DAZ,
    author = {Lorenz, R.},
    title = {{Design auditorischer Zeiger: Eine Untersuchung zu den Auswirkungen ausgew\"ahlter Klangparameter auf die Effektivit\"at eines akustischen Zeigers}},
    school = {Technische Universit\"at Dresden, Faculty of Computer Science},
    year = {2013},
    address = {Dresden, Germany},
    month = {March},
    type = {Diploma thesis}
    }
  • Komplexpraktikum Musikvisualisierung
    E. Brumme, F. Schönfeld, and H. Nguyen
    student research project, Technische Universität Dresden, Faculty of Computer Science, Dresden, Germany, 2013.
    [BibTeX]

    @MASTERSTHESIS{Brumme:2013:MV,
    author = {Brumme, E. and Sch\"onfeld, F. and Nguyen, H.},
    title = {{Komplexpraktikum Musikvisualisierung}},
    school = {Technische Universit\"at Dresden, Faculty of Computer Science},
    year = {2013},
    address = {Dresden, Germany},
    month = {Feb.},
    type = {student research project}
    }
  • Project Soundgarden: Partikel-basierte Sonifikation von Gesten mittels der Tiefenkamera Microsoft Kinect
    H. Schuster and M. Möhler
    student research project, Technische Universität Dresden, Faculty of Computer Science, Dresden, Germany, 2013.
    [BibTeX]

    @MASTERSTHESIS{Schuster:2013:PS,
    author = {Schuster, H. and M\"ohler, M.},
    title = {{Project Soundgarden: Partikel-basierte Sonifikation von Gesten mittels der Tiefenkamera Microsoft Kinect}},
    school = {Technische Universit\"at Dresden, Faculty of Computer Science},
    year = {2013},
    address = {Dresden, Germany},
    month = {Feb.},
    type = {student research project}
    }

2010

  • Vertonung virtueller Stadtmodelle
    A. Bartz
    Bachelor thesis, Otto-von-Guericke University of Magdeburg, Faculty of Computer Science, Magdeburg, Germany, 2010.
    [BibTeX]

    @MASTERSTHESIS{Bartz:2010:VVSM,
    author = {Bartz, A.},
    title = {{Vertonung virtueller Stadtmodelle}},
    school = {Otto-von-Guericke University of Magdeburg, Faculty of Computer Science},
    year = {2010},
    address = {Magdeburg, Germany},
    month = {Dec.},
    type = {Bachelor thesis}
    }
  • Interactive Composer
    J. Miksch and J. Trappe
    student research project, Otto-von-Guericke University of Magdeburg, Faculty of Computer Science, Magdeburg, Germany, 2010.
    [BibTeX]

    @MASTERSTHESIS{Miksch:2011:IC,
    author = {Miksch, J. and Trappe, J.},
    title = {{Interactive Composer}},
    school = {Otto-von-Guericke University of Magdeburg, Faculty of Computer Science},
    year = {2010},
    address = {Magdeburg, Germany},
    type = {student research project}
    }

2007

  • Unterstützung der Werkanalyse durch automatische Analysetechniken am Beispiel der Telemann-Datenbank
    D. Büchner
    Diploma thesis, Otto-von-Guericke University of Magdeburg, Faculty of Computer Science, Magdeburg, Germany, 2007.
    [BibTeX]

    @MASTERSTHESIS{Buechner:2007:WA,
    author = {B\"uchner, D.},
    title = {{Unterst\"utzung der Werkanalyse durch automatische Analysetechniken am Beispiel der Telemann-Datenbank}},
    school = {Otto-von-Guericke University of Magdeburg, Faculty of Computer Science},
    year = {2007},
    address = {Magdeburg, Germany},
    month = {Jan.},
    type = {Diploma thesis}
    }

2012

  • Nun sich der Tag geendet hat
    A. Berndt,
    in Musik aus Mitteldeutschland, Munich, Germany: Strube Verlag, 2012.
    [BibTeX]

    @INCOLLECTION{Berndt:2012:NS,
    author = {Berndt, A.},
    title = {{Nun sich der Tag geendet hat}},
    booktitle = {{Musik aus Mitteldeutschland}},
    year = {2012},
    publisher = {Strube Verlag},
    address = {Munich, Germany},
    month = {Jan.}
    }

2008

  • Liturgie für Bläser
    A. Berndt, , 2nd ed., Halberstadt, Germany: Musikverlag Bruno Uetz, 2008.
    transl.: Liturgy for Brass
    [BibTeX]

    @BOOK{Berndt:2008:LIT,
    author = {Berndt, A.},
    title = {{Liturgie f\"ur Bl\"aser}},
    publisher = {Musikverlag Bruno Uetz},
    month = {Jan.},
    year = {2008},
    edition = {2nd},
    address = {Halberstadt, Germany},
    note = {transl.: Liturgy for Brass}
    }

2017

  • Herausforderungen der editorischen Erschließung auditiver Objekte
    A. Berndt
    in Projekt Sprechmaschine Workshop: Wo liegt der Mehrwert digitaler Ausstellungen für universitäre Sammlungen?, Dresden, Germany, 2017
    invited talk.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2017:HEE,
    author = {Berndt, A.},
    title = {{Herausforderungen der editorischen Erschlie{\ss}ung auditiver Objekte}},
    booktitle = {{Projekt Sprechmaschine Workshop: Wo liegt der Mehrwert digitaler Ausstellungen f\"ur universit\"are Sammlungen?}},
    year = {2017},
    organization = {Technische Universit\"at Dresden},
    address = {Dresden, Germany},
    month = {Nov.},
    note = {invited talk}
    }
  • Musikeditionen zum Klingen bringen
    A. Berndt, S. Waloschek, and A. Hadjakos
    in Edirom Summer School 2017, Paderborn, Germany, 2017
    invited workshop.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2017:MKB,
    author = {Berndt, A. and Waloschek, S. and Hadjakos, A.},
    title = {{Musikeditionen zum Klingen bringen}},
    booktitle = {{Edirom Summer School 2017}},
    month = {Sept.},
    year = {2017},
    organization = {Universit\"at Paderborn},
    address = {Paderborn, Germany},
    note = {invited workshop}
    }

2016

  • XML Music Performance Description
    A. Berndt and B. W. Bohl
    in Music Encoding Conference 2016, Montréal, Canada, 2016.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2016:Xml-Music-Performance,
    author = {Berndt, A. and Bohl, B. W.},
    title = {{XML Music Performance Description}},
    booktitle = {{Music Encoding Conference 2016}},
    year = {2016},
    organization = {McGill University, Schulich School of Music},
    publisher = {Music Encoding Initiative},
    address = {Montr\'eal, Canada},
    month = {May}
    }

2015

  • Musizieren mit dem Computer
    A. Berndt and S. H. Menges
    in 21. Schulinformatiktag, Dresden, Germany, 2015
    invited workshop.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2015:MMC,
    author = {Berndt, A. and Menges, S. H.},
    title = {{Musizieren mit dem Computer}},
    booktitle = {{21. Schulinformatiktag}},
    month = {Mar.},
    year = {2015},
    organization = {Technische Universit\"at Dresden},
    address = {Dresden, Germany},
    note = {invited workshop}
    }

2012

  • Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen
    A. Berndt
    in 7. Symposium zur Filmmusikforschung: Film, Tanz, Musik, Salzburg, Austria, 2012
    invited talk.
    [BibTeX]

    @CONFERENCE{Berndt:2012:IDM,
    author = {Berndt, A.},
    title = {{Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen}},
    booktitle = {7. Symposium zur Filmmusikforschung: Film, Tanz, Musik},
    year = {2012},
    organization = {University of Salzburg},
    publisher = {Kieler Gesellschaft f\"ur Filmmusikforschung},
    address = {Salzburg, Austria},
    month = {June},
    note = {invited talk}
    }
  • Generative Musik als Werkzeug in der Musikwissenschaft
    A. Berndt
    in Telemann-Festtagskonferenz 2012: Vom Umgang mit Telemanns Werken einst und jetzt. Telemannrezeption in drei Jahrhunderten, Magdeburg, Germany, 2012
    invited talk.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2012:GM,
    author = {Berndt, A.},
    title = {{Generative Musik als Werkzeug in der Musikwissenschaft}},
    booktitle = {{Telemann-Festtagskonferenz 2012: Vom Umgang mit Telemanns Werken einst und jetzt. Telemannrezeption in drei Jahrhunderten}},
    year = {2012},
    organization = {Zentrum f\"ur Telemann-Pflege und -Forschung Magdeburg},
    address = {Magdeburg, Germany},
    note = {invited talk}
    }

2011

  • Der Computer als Komponist und Interpret der Zukunft?
    A. Berndt
    in Meeting of the Gesellschaft für Informatik (GI), Magdeburg, Germany, 2011
    invited talk.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2011:DCKI,
    author = {Berndt, A.},
    title = {{Der Computer als Komponist und Interpret der Zukunft?}},
    booktitle = {{Meeting of the Gesellschaft f\"ur Informatik (GI)}},
    month = {April},
    year = {2011},
    organization = {Gesellschaft f\"ur Informatik},
    address = {Magdeburg, Germany},
    note = {invited talk}
    }

2009

  • Der Computer als Interpret
    A. Berndt and T. Hähnel
    in Gespräche um Telemann, Magdeburg, Germany, 2009
    invited talk.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2009:DCI,
    author = {Berndt, A. and H\"ahnel, T.},
    title = {{Der Computer als Interpret}},
    booktitle = {{Gespr\"ache um Telemann}},
    month = {Oct.},
    year = {2009},
    organization = {Zentrum f\"ur Telemannpflege und -Forschung},
    address = {Magdeburg, Germany},
    note = {invited talk}
    }

2007

  • Audio-Interactive Counterpoint
    A. Berndt and K. Hartmann
    in Sound, Music and the Moving Image, University of London, England, 2007
    invited talk.
    [BibTeX]

    @INPROCEEDINGS{Berndt:2007:AIC,
    author = {Berndt, A. and Hartmann, K.},
    title = {{Audio-Interactive Counterpoint}},
    booktitle = {{Sound, Music and the Moving Image}},
    year = {2007},
    organization = {Institute of Musical Research},
    address = {University of London, England},
    month = {Sept.},
    note = {invited talk}
    }